A collection of legends and folklore of the Yoruba tribe in the south west of Nigeria. Written by M.I. Ogumefu and published in 1929 by the Sheldon Press, London.

Suitable for children and adults.

Understanding Igbo Poetry is the English translation of the book “Ighota Abu Igbo” a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and translated to English by Frances W. Pritchett.

Ighota Abu Igbo is a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and published in 1981.

The Real History of Ijebu Igbo attempts to trace the origins of Ijebu Igbo which is in Ogun state, Nigeria. It  is written by Hon Osifeso Olukorede ,Chairman CAC Ijebu North, Ogun state, Nigeria.

Source: Internet Archives – Free Public Domain

Format,Conversion and Book cover: Crater Library & Publisher

Future Governance shines light on the endemic nature of cyber vulnerability and explores the meeting point for cyber security and data protection in Nigeria.

The literature on Yoruba sculpture and sculpture-related problems is extensive, but as yet there is no publication which describes the true range and depth of the art.
This bibliography, therefore, is designed not as an exhaustive survey but as an aid to further research. The list has two sections: the first contains sources on the Yoruba, the second, general handbooks and exhibition catalogues. Asterisks in the index mark those works which provide the most detailed, careful, or latest studies
of a given subject. Certain kinds of research concern the relationship between Yoruba sculpture and the arts of Nok, Ancient Ife, “Great Benin”, Esie, and the traditional sculpture of contemporaneous neighboring peoples.

In the interest of brevity however, most references on these other styles have not been included. Much unpublished data has also been excluded; for this kind of material the student is referredto the archives of the Western Region Secretariat (ibadan, Nigeria), the archives in the Nigerian Museum (Lagos), and the IRAN archive (Porto Novo, Dahomey). In addition to commonly known types of wood sculpture — figures, masks, headdresses, staffs, house posts, and doors — Yoruba artists created works in wrought iron, brass, pottery, ivory, beads, leather, and stone. Most of these objects served various cults, each of which has its own repertory of songs, dances, and symbols.
The richness and complexity of this sculpture is a function of many interrelated factors: over five million people divided into ethnic sub-groups unified by language; an old and unusual tradition of urbanism; an extensive pantheon of spirits (brisa), at least twelve of which call for sculptural forms recognized across Yoruba land; an elaborate cosmology; a complex social and political organization; a frequent interaction
of sculpture, music, and dance; and a well-developed sense of artistic quality. Only recently, however, have scholars begun to communicate the originality of Yoruba artistic thought and the complexity of iconography, and to classify sculpture into styles and schools.

The author and researcher, Ositadinma Amakeze, explores the symbolic significance of Nzu (Calabash chalk;white chalk)in Igbo culture.

Images and references included.

A 2019/2020 evaluation report of the Enugu state library board. This comprehensive report covers all the public libraries in the state.

Contains graphs and tables.

To mark the 1st year anniversary of Liber Book club, Enugu, Nigeria, its members  wrote They Came To Stay- a collection of short stories. Not that they are amateurs , they are closet writers who have attempted to produce a literary work  commensurate with that of their  model authors.

This e-book does not only contain short stories themed around mermaids or mammywater as its fondly called in Nigeria. It also features the summary of Liber Book club discussions and a cross word puzzle game of all the books the members  have read as a group.

It is hoped that you will be moved to read those books too and attempt the crossword puzzle game.

Leopards of the Magical Dawn: Science and the Cosmological Foundations of Igbo Culture

Igbo traditional life is ritual-centric, quite simply, for Igbo culture is primarily and largely a mystical culture, propelled by a deeply primal awareness of the spirituality of life. Igbo culture gravitates towards an ordered universe of interconnection of  life. Hence, if ritual is the language of the spirit, the language which speaks to the interconnected whole of life, it is only surmisable that, a culture in continuous adherence to its own rituals is a culture in unbroken communication with its own spirit.

Written by Nze Chukwukadibia E. Nwafor

CLP Book Number ID: NWA000000004CLP

After Okikiola went through a lot because of her parents divorce, she vowed never to  fall in love  in order not to let a man hurt her in any way. But love itself has a way of crawling into our hearts when we least expect it.

After the flounce  is written by Adenike Isenibi. It is a must read for everyone.