The literature on Yoruba sculpture and sculpture-related problems is extensive, but as yet there is no publication which describes the true range and depth of the art. This bibliography, therefore, is designed not as an exhaustive survey but as an aid to further research. The list has two sections: the first contains sources on the Yoruba, the second, general handbooks and exhibition catalogues. Asterisks in the index mark those works which provide the most detailed, careful, or latest studies of a given subject. Certain kinds of research concern the relationship between Yoruba sculpture and the arts of Nok, Ancient Ife, "Great Benin", Esie, and the traditional sculpture of contemporaneous neighboring peoples. In the interest of brevity however, most references on these other styles have not been included. Much unpublished data has also been excluded; for this kind of material the student is referredto the archives of the Western Region Secretariat (ibadan, Nigeria), the archives in the Nigerian Museum (Lagos), and the IRAN archive (Porto Novo, Dahomey). In addition to commonly known types of wood sculpture — figures, masks, headdresses, staffs, house posts, and doors — Yoruba artists created works in wrought iron, brass, pottery, ivory, beads, leather, and stone. Most of these objects served various cults, each of which has its own repertory of songs, dances, and symbols. The richness and complexity of this sculpture is a function of many interrelated factors: over five million people divided into ethnic sub-groups unified by language; an old and unusual tradition of urbanism; an extensive pantheon of spirits (brisa), at least twelve of which call for sculptural forms recognized across Yoruba land; an elaborate cosmology; a complex social and political organization; a frequent interaction of sculpture, music, and dance; and a well-developed sense of artistic quality. Only recently, however, have scholars begun to communicate the originality of Yoruba artistic thought and the complexity of iconography, and to classify sculpture into styles and schools.  

Silhouette series is an ongoing project by  poet, Nnanna Okpanku in collaboration with Nnebedum Favour Ifechukwu,and Lilian Isih.  He has given us a sneak preview with the first three visual poems: The Runaway Bride, Mirror Mirror on the wall, and  A Stranger. Silhouette series is one of a kind poetry album  which The Crater Library loves to categorise as Visual Poems. Visual poems are poems accompanied by photographs which capture the essence of the poems. The poet  ensures his subject matters (words and models) are aligned to capture the feelings he is expressing. Neither deducts from the other, but the well crafted words and breathtaking photography suspend's the readers' mind to a plane  where he/she feels and understands the emotions behind each medium.

Curiosity  is a base that builds the factual block Eko & Lagos centers on. Biebie and Bieke are two friends who have never been to the city of Lagos. Their curiosity about what they assume to be different cities almost gets them into trouble with their equally ignorant teacher. Eko & Lagos is written by Ajimoti Selim Adebayo

A compilation of Nigerian foods and its calorie content for weightloss patients residing in Nigeria or  any Nigerian food aficionado.

Everyone in life has Giants. There is a Goliath for every David. When you have a destiny, you will have to deal with your giants. In this book Lisa Chilombo Sakala leads every reader in principles that will help you Triumph Over Your Giants.The Author will show you the significance of Dreams and what could threaten your dreams, keys of facing giants and more. In over 23 years of Ministry I highly recommend this book to everyone who has a destiny and faced with challenges. BISHOP EDDIE MULENGA Presiding Bishop of Liberty Christian Centre . ISBN: 978-9982-950-20-6