Everyone in life has Giants. There is a Goliath for every David. When you have a destiny, you will have to
deal with your giants. In this book Lisa Chilombo Sakala leads every reader in principles that will help you
Triumph Over Your Giants.The Author will show you the significance of Dreams and what could threaten
your dreams, keys of facing giants and more.
In over 23 years of Ministry I highly recommend this book to everyone who has a destiny and faced with
challenges.
BISHOP EDDIE MULENGA
Presiding Bishop of Liberty Christian Centre

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ISBN: 978-9982-950-20-6

A collection of poems written by Ada Onwudiwe and published on The Crater Library. Its topics are Hell,Okoro,Motive for Motif, Aftermath,S.O.S,The Dark Life, Victorious and Second Chance.

A collection of legends and folklore of the Yoruba tribe in the south west of Nigeria. Written by M.I. Ogumefu and published in 1929 by the Sheldon Press, London.

Suitable for children and adults.

Fulfilling Purpose is an enlightening  read  that aims to  make  businessmen and women  of its readers. It sets the art of skill acquisition and self-reliance in a wonderful and easy perspective.

Curiosity  is a base that builds the factual block Eko & Lagos centers on. Biebie and Bieke are two friends who have never been to the city of Lagos. Their curiosity about what they assume to be different cities almost gets them into trouble with their equally ignorant teacher.

Eko & Lagos is written by Ajimoti Selim Adebayo

An anthology of modern Igbo verse edited by R.M Ekechukwu and published by Oxford University Press Ibadan. It includes a glossary.

Understanding Igbo Poetry is the English translation of the book “Ighota Abu Igbo” a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and translated to English by Frances W. Pritchett.

The literature on Yoruba sculpture and sculpture-related problems is extensive, but as yet there is no publication which describes the true range and depth of the art.
This bibliography, therefore, is designed not as an exhaustive survey but as an aid to further research. The list has two sections: the first contains sources on the Yoruba, the second, general handbooks and exhibition catalogues. Asterisks in the index mark those works which provide the most detailed, careful, or latest studies
of a given subject. Certain kinds of research concern the relationship between Yoruba sculpture and the arts of Nok, Ancient Ife, “Great Benin”, Esie, and the traditional sculpture of contemporaneous neighboring peoples.

In the interest of brevity however, most references on these other styles have not been included. Much unpublished data has also been excluded; for this kind of material the student is referredto the archives of the Western Region Secretariat (ibadan, Nigeria), the archives in the Nigerian Museum (Lagos), and the IRAN archive (Porto Novo, Dahomey). In addition to commonly known types of wood sculpture — figures, masks, headdresses, staffs, house posts, and doors — Yoruba artists created works in wrought iron, brass, pottery, ivory, beads, leather, and stone. Most of these objects served various cults, each of which has its own repertory of songs, dances, and symbols.
The richness and complexity of this sculpture is a function of many interrelated factors: over five million people divided into ethnic sub-groups unified by language; an old and unusual tradition of urbanism; an extensive pantheon of spirits (brisa), at least twelve of which call for sculptural forms recognized across Yoruba land; an elaborate cosmology; a complex social and political organization; a frequent interaction
of sculpture, music, and dance; and a well-developed sense of artistic quality. Only recently, however, have scholars begun to communicate the originality of Yoruba artistic thought and the complexity of iconography, and to classify sculpture into styles and schools.

Leopards of the Magical Dawn: Science and the Cosmological Foundations of Igbo Culture

Igbo traditional life is ritual-centric, quite simply, for Igbo culture is primarily and largely a mystical culture, propelled by a deeply primal awareness of the spirituality of life. Igbo culture gravitates towards an ordered universe of interconnection of  life. Hence, if ritual is the language of the spirit, the language which speaks to the interconnected whole of life, it is only surmisable that, a culture in continuous adherence to its own rituals is a culture in unbroken communication with its own spirit.

Written by Nze Chukwukadibia E. Nwafor

CLP Book Number ID: NWA000000004CLP

Ighota Abu Igbo is a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and published in 1981.