The Real History of Ijebu Igbo attempts to trace the origins of Ijebu Igbo which is in Ogun state, Nigeria. It  is written by Hon Osifeso Olukorede ,Chairman CAC Ijebu North, Ogun state, Nigeria. Source: Internet Archives - Free Public Domain Format,Conversion and Book cover: Crater Library & Publisher

Future Governance shines light on the endemic nature of cyber vulnerability and explores the meeting point for cyber security and data protection in Nigeria.

Ighota Abu Igbo is a handbook/guide to understanding and critiquing Igbo poems. It is written by Ihechukwu Madubuike and published in 1981.

This document provides guidance to African Union member States on the use of face masks and other face covers in the community by individuals who are not ill in order to reduce potential asymptomatic or pre-symptomatic transmission of COVID-19. The document also provides advice on the use of masks during home care for patients with COVID-19,

The author and researcher, Ositadinma Amakeze, explores the symbolic significance of Nzu (Calabash chalk;white chalk)in Igbo culture. Images and references included.

The literature on Yoruba sculpture and sculpture-related problems is extensive, but as yet there is no publication which describes the true range and depth of the art. This bibliography, therefore, is designed not as an exhaustive survey but as an aid to further research. The list has two sections: the first contains sources on the Yoruba, the second, general handbooks and exhibition catalogues. Asterisks in the index mark those works which provide the most detailed, careful, or latest studies of a given subject. Certain kinds of research concern the relationship between Yoruba sculpture and the arts of Nok, Ancient Ife, "Great Benin", Esie, and the traditional sculpture of contemporaneous neighboring peoples. In the interest of brevity however, most references on these other styles have not been included. Much unpublished data has also been excluded; for this kind of material the student is referredto the archives of the Western Region Secretariat (ibadan, Nigeria), the archives in the Nigerian Museum (Lagos), and the IRAN archive (Porto Novo, Dahomey). In addition to commonly known types of wood sculpture — figures, masks, headdresses, staffs, house posts, and doors — Yoruba artists created works in wrought iron, brass, pottery, ivory, beads, leather, and stone. Most of these objects served various cults, each of which has its own repertory of songs, dances, and symbols. The richness and complexity of this sculpture is a function of many interrelated factors: over five million people divided into ethnic sub-groups unified by language; an old and unusual tradition of urbanism; an extensive pantheon of spirits (brisa), at least twelve of which call for sculptural forms recognized across Yoruba land; an elaborate cosmology; a complex social and political organization; a frequent interaction of sculpture, music, and dance; and a well-developed sense of artistic quality. Only recently, however, have scholars begun to communicate the originality of Yoruba artistic thought and the complexity of iconography, and to classify sculpture into styles and schools.  

Social Media Usage Guide for Health Workers is an open access resource and tool  for healthcare professionals who wish to  engage and share  accurate health information or correct medical misinformation on social media. It was written and designed  by Healthhub Africa -  A network of innovators, leaders, influencers and key players in the health sector, collaborating to advance #SDG 3; Good health and Well being

Written by Onwuka,Wilfred in the 1960s. Learn and teach yourself English,  public speaking, letter and telegraph writing,agreements,applications and composition.

An anthology of modern Igbo verse edited by R.M Ekechukwu and published by Oxford University Press Ibadan. It includes a glossary.

A collection of legends and folklore of the Yoruba tribe in the south west of Nigeria. Written by M.I. Ogumefu and published in 1929 by the Sheldon Press, London. Suitable for children and adults.

The present Igbo dictionary is a much revised and expanded version of the Igbo dictionary published by Kay Williamson, Ethiope Press, Benin City in 1972. Professor Williamson died in early January 2005, with it still unpublished. The revision was prepared in the 1970s and 1980s and was typed camera-ready in a manuscript submitted to the same publishers in 1983. The publishers first delayed in responding and then finally admitted they had lost the copy. So only a photocopy of the original typed version exists.

In this  dissertation, Henry Ibekwe  calls into question the silently-held presumption that the Latinization (i.e. the use of Latin alphabets in transcription) of indigenous languages in southeastern Nigeria is both necessary and sufficient for their orthography. The arguments presented herein aim to demonstrate the fact that Latinization has systematically excluded an entire realm of symbols and meanings which facilitate the inter-subjective transfer of ideas; realms that cannot always be navigated by relying upon transcription by way of Latin alphabets. In order to adequately address several of the weaknesses identified in the Latinized scripts, the author argues for an expanded orthography that is more inclusive and representative of the sociofacts, mentifacts and artifacts that are peculiar to southeastern Nigeria. Author: Henry Ibekwe Date of Publication: 2016-07-07 ISBN:978-3659840319