The literature on Yoruba sculpture and sculpture-related problems is extensive, but as yet there is no publication which describes the true range and depth of the art. This bibliography, therefore, is designed not as an exhaustive survey but as an aid to further research. The list has two sections: the first contains sources on the Yoruba, the second, general handbooks and exhibition catalogues. Asterisks in the index mark those works which provide the most detailed, careful, or latest studies of a given subject. Certain kinds of research concern the relationship between Yoruba sculpture and the arts of Nok, Ancient Ife, "Great Benin", Esie, and the traditional sculpture of contemporaneous neighboring peoples. In the interest of brevity however, most references on these other styles have not been included. Much unpublished data has also been excluded; for this kind of material the student is referredto the archives of the Western Region Secretariat (ibadan, Nigeria), the archives in the Nigerian Museum (Lagos), and the IRAN archive (Porto Novo, Dahomey). In addition to commonly known types of wood sculpture — figures, masks, headdresses, staffs, house posts, and doors — Yoruba artists created works in wrought iron, brass, pottery, ivory, beads, leather, and stone. Most of these objects served various cults, each of which has its own repertory of songs, dances, and symbols. The richness and complexity of this sculpture is a function of many interrelated factors: over five million people divided into ethnic sub-groups unified by language; an old and unusual tradition of urbanism; an extensive pantheon of spirits (brisa), at least twelve of which call for sculptural forms recognized across Yoruba land; an elaborate cosmology; a complex social and political organization; a frequent interaction of sculpture, music, and dance; and a well-developed sense of artistic quality. Only recently, however, have scholars begun to communicate the originality of Yoruba artistic thought and the complexity of iconography, and to classify sculpture into styles and schools. Primitive Art Bibliographies The Library The Museum of Primitive Art 15 West 54 Street New York 19, New York NO. Ill 1964 BIBLIOGRAPHY OF YORUBA SCULPTURE by HERBERT M. COLE and ROBERT FARRIS THOMPSON

The complete  1999 constitution of the Federal Republic of Nigeria, from chapter I to chapter VIII  with schedules and parts intact. Edited by SNIPPARZ EFX.

This act alters the provisions of the 1999 Federal Republic of Nigeria constitution. Also contains citations.

Bauchi State approved budget of the year 2015.

This contains an analysis of candidates performance in Senior Secondary Certificate Examination/ National Examinations Council (NECO) from 2011 - 2015. Data was collated and complied by NECO and published on NBS site. Source:NBS

2016 Benue State budget. Source: yourbudgit.com

This act further alters the provisions of the Federal Republic of Nigeria for the establishment of the National Industrial Court under the constitution. Also contains citations.

Economics is full of surprises. Its foundations might at first glance seem counterintuitive, but they have proved themselves true, again and again in practice. People in countries where citizens and their governments understand economics have higher standards of living and more personal liberty than do people who have the misfortune to live in countries where these principles are ignored or misunderstood. Dr. George Ayittey understands these principles, and Applied Economics for Africa shows exactly how ignoring them has contributed to the struggles Africa faces today. This book demonstrates that the key to Africa’s development lies in building upon “its own indigenous heritage of participatory democracy based upon consensus (under the chiefs), free village markets, and free enterprise.”    

A general handbook and step by step guide on how to make  toiletries, detergents and Nigerian fast food.  The Author, Ojewale Funmilola, a graduate of biochemistry from Bowen University, Iwo inOsun state, and currently an entrepreneur with first hand experience in the production of all that is stated in her book. This practical book:

• Consists of all we see in the book cover.
• has a list of  minimum  cost price needed to start some major products
• gives  an analysis of the product name
• lists the best places to purchase chemicals (Ojota,Lagos Nigeria) and with other contact details.
• lists sites to visit for unique training.
• directs on how to go about your NAFDAC number.

You also get these bonus files for purchasing this volume;

• Richest man of Babylon
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In this  dissertation, Henry Ibekwe  calls into question the silently-held presumption that the Latinization (i.e. the use of Latin alphabets in transcription) of indigenous languages in southeastern Nigeria is both necessary and sufficient for their orthography. The arguments presented herein aim to demonstrate the fact that Latinization has systematically excluded an entire realm of symbols and meanings which facilitate the inter-subjective transfer of ideas; realms that cannot always be navigated by relying upon transcription by way of Latin alphabets. In order to adequately address several of the weaknesses identified in the Latinized scripts, the author argues for an expanded orthography that is more inclusive and representative of the sociofacts, mentifacts and artifacts that are peculiar to southeastern Nigeria. Author: Henry Ibekwe Date of Publication: 2016-07-07 ISBN:978-3659840319